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Baby Please Don't Cry New Jack Swing Discogs

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Traditional blues standard

"Baby, Please Don't Go"
Baby, Please Don't Go Williams single cover.jpg
Single by Joe Williams' Washboard Dejection Singers
B-side "Wild Moo-cow Blues"
Released 1935 (1935)
Recorded Chicago, October 31, 1935
Genre Blues
Length 3:22
Label Bluebird
Songwriter(south) Traditional (J. Williams credited on record)
Producer(s) Lester Melrose

"Baby, Please Don't Go" is a traditional dejection song that was popularized past Delta dejection musician Large Joe Williams in 1935. Many cover versions followed, leading to its clarification as "i of the most played, arranged, and rearranged pieces in dejection history" by French music historian Gérard Herzhaft.[1]

After Globe War II, Chicago blues and rhythm and blues artists adapted the song to newer music styles. In 1952, a doo-wop version by the Orioles reached the meridian ten on the R&B nautical chart. In 1953, Dingy Waters recorded the song as an electrical Chicago-ensemble blues piece, which influenced many subsequent renditions. Past the early on 1950s, the song became a blues standard.

In the 1960s, "Baby, Please Don't Get" became a pop rock song after the Northern Irish gaelic group Them recorded it in 1964. Jimmy Folio, a studio guitarist at the time, participated in the recording session, possibly on rhythm guitar. Subsequently, Them's uptempo rock arrangement likewise made it a rock standard. AC/DC and Aerosmith are among the rock groups who take recorded the song. "Baby, Please Don't Go" has been inducted into both the Blues and Rock and Ringlet Halls of Fame.

Groundwork [edit]

"Baby, Please Don't Go" is likely an accommodation of "Long John", an old folk theme which dates back to the time of slavery in the The states.[1] Blues researcher Paul Garon notes that the melody is based on "Alabamy Spring", composed past Tin Pan Alley writer Ray Henderson, with lyrics by Buddy DeSylva and Bud Green in 1925.[ii] [a] The vocal, a vaudeville evidence tune, inspired several other songs between 1925 and 1935, such as "Elderberry Greene Dejection", "Alabama Jump", and "Don't You Leave Me Here".[two] [iii] These variants were recorded by Charlie Patton, Pb Belly, Monette Moore, Henry Thomas, and Tampa Ruddy.[2]

Author Linda Dahl suggests a connection to a song with the same championship past Mary Williams Johnson in the late 1920s and early 1930s.[4] However, Johnson, who was married to jazz-influenced dejection guitarist Lonnie Johnson, never recorded it and her song is not discussed every bit influencing later performers.[i] [3] [5] Dejection researcher Jim O'Neal notes that Williams "sometimes said that the vocal was written by his wife, vocaliser Bessie Mae Smith (aka Blueish Belle and St. Louis Bessie)."[three]

Original song [edit]

Big Joe Williams used the imprisonment theme for his Oct 31, 1935, recording of "Baby, Please Don't Get". He recorded it during his first session for Lester Melrose and Bluebird Records in Chicago.[3] It is an ensemble piece with Williams on vocal and guitar accompanied by Dad Tracy on one-string dabble and Chasey "Kokomo" Collins on washboard, who are listed as "Joe Williams' Washboard Blues Singers" on the single.[3] Musical notation for the song indicates a moderate-tempo fifteen-bar blues in four
4 or mutual fourth dimension in the primal of B flat.[vi] [b] As with many Delta blues songs of the era, information technology remains on the tonic chord (I) throughout without the progression to the subdominant (IV) or dominant (V) chords.[6] The lyrics express a prisoner's anxiety near his lover leaving before he returns dwelling house:[8]

Now infant please don't go, at present baby please don't get
Infant please don't go back to New Orleans, and get your cold ice cream
I believe there's a man done gone, I believe there'southward a human being done gone
I believe in that location'south a man washed gone to the canton farm, with a long chain on

The song became a hitting and established Williams' recording career.[9] On December 12, 1941, he recorded a 2d version titled "Please Don't Go" in Chicago for Bluebird, with a more modernistic arrangement and lyrics.[10] Blues historian Gerard Herzhaft calls it "the nearly exciting version",[1] which Williams recorded using his trademark 9-cord guitar. Accompanying him are Sonny Boy Williamson I on harmonica and Alfred Elkins on imitation bass (possibly a washtub bass).[11] Since both songs appeared before recording industry publications began tracking such releases, it is unknown which version was more than popular. In 1947, he recorded it for Columbia Records with Williamson and Ransom Knowling on bass and Judge Riley on drums.[2] This version did not reach the Billboard Race Records chart,[12] but represents a movement toward a more urban dejection handling of the song.

Later blues and R&B recordings [edit]

Large Joe Williams' various recordings inspired other blues musicians to record their interpretations of the song[thirteen] and it became a blues standard.[1] Early on examples include Papa Charlie McCoy as "Tampa Kid" (1936), Leonard "Baby Doo" Caston (1939), Lightnin' Hopkins (1947), John Lee Hooker (1949), and Big Pecker Broonzy (1952).[14] By the early 1950s, the vocal was reworked in gimmicky musical styles, with an early rhythm and blues/jump blues version by Billy Wright (1951),[1] a harmonized doo-wop version by the Orioles (a number eight R&B hit in 1952),[c] and an Afro-Cuban-influenced rendition by Rose Mitchell (1954).[ane] Mose Allison recorded the tune in his jazz-blues piano way for the anthology Transfiguration of Hiram Brown (1960).[xv]

In 1953, Dingy Waters recast the vocal as a Chicago-blues ensemble piece with Piddling Walter and Jimmy Rogers.[16] Chess Records originally issued the single with the title "Turn the Lamp Downwardly Low", although the vocal is also referred to as "Turn Your Lamp Downwardly Low",[3] "Turn Your Low-cal Downward Depression",[xiv] or "Babe Please Don't Go".[d] He regularly played the song, several performances were recorded. Live versions announced on Muddied Waters at Newport 1960 and on Live at the Checkerboard Lounge, Chicago 1981 with members of the Rolling Stones.[17] AllMusic critic Bill Janovitz cites the influence of Waters' adaptation:

The most likely link between the Williams recordings and all the rock covers that came in the 1960s and 1970s would be the Dirty Waters 1953 Chess side, which retains the same swinging phrasing every bit the Williams takes, just the session musicians beef it up with a steady driving rhythm department, electrified instruments and Little Walter Jacobs wailing on dejection harp.[18]

Van Morrison and Them rendition [edit]

"Baby, Please Don't Go"
BabyPleaseDontGo-Them.jpg
Single by Them
B-side "Gloria"
Released
  • November six, 1964 (1964-xi-06) (Britain)
  • 1965 (United states)
Recorded October 1964
Genre Blues stone
Length two:40
Label
  • Decca (Britain)
  • Parrot (US)
Songwriter(s) Traditional (Williams credited)
Producer(south) Bert Berns
Them singles chronology
"Don't Start Crying At present"
(1964) 		"Baby, Please Don't Go"
(1964) 		"Here Comes the Dark"
(1965)

"Infant Please Don't Go" was one of the earliest songs recorded by Them, fronted past a nineteen-year-former Van Morrison. Their rendition of the song was derived from a version recorded by John Lee Hooker in 1949 as "Don't Get Infant".[19] [e] Hooker's song later appeared on a 1959 album, Highway of Blues, which Van Morrison heard and felt was "something actually unique and unlike" with "more soul" than he had previously heard.[19]

Recording and composition [edit]

Them recorded "Baby, Delight Don't Get" for Decca Records in October 1964. Also Morrison, there is conflicting information nigh who participated in the session. In addition to the group'south original members (guitarist Billy Harrison, bassist Alan Henderson, drummer Ronnie Millings, and keyboard player Eric Wrixon), others have been suggested: Pat McAuley on keyboards, Bobby Graham on a 2nd drum kit, Jimmy Folio on second guitar,[20] and Peter Bardens on keyboards.[21] As Page biographer George Example notes, "There is a dispute over whether it is Page's piercing blues line that defines the vocal, if he but played a run Harrison had already devised, or if Page only backed up Harrison himself".[22] Morrison has acknowledged Page'southward participation in the early sessions: "He played rhythm guitar on one matter and doubled a bass riff on the other"[23] and Morrison biographer Johnny Rogan notes that Page "doubled the distinctive riff already worked out past Billy Harrison".[23]

Janovitz identifies the riff equally "the backbone of the arrangement" and describes Henderson's contribution as an "amphetamine-blitz, pulsing two-note bass line."[xviii] [f] Music critic Greil Marcus comments that during the song's quieter heart passage "the guitarist, session histrion Jimmy Folio or non, seems to be feeling his way into another song, flipping half-riffs, high, random, distracted metal shavings".[24] [yard] Them'south blues rock arrangement is "now regarded justly as definitive", co-ordinate to music writer Alan Clayson.[26]

Releases and charts [edit]

Decca released "Babe, Please Don't Go" as Them'south 2nd single on Nov half-dozen, 1964.[20] With the B-side, "Gloria", it became their commencement hit, reaching number x on the UK Singles Chart in February 1965.[27] In the US, the single was released past Parrot Records.[28] On March 20, Billboard mag first listed the song on its extended "Bubbling Nether the Hot 100" nautical chart,[29] where it eventually peaked at number 102 on April 24.[30] The unmarried fared better on the W Coast, where both songs appeared on weekly Top 40 playlists for Los Angeles radio station KRLA between March and June 1965, reaching number one for three weeks in April.[31] [32] [33] Cash Box described it as "a funky, hard-driving pleader that the fellas rock out with telling event".[34]

The song was non included on Them'south original British or American albums (The Angry Young Them and Them Again), however, it has appeared on several compilation albums, such equally The Story of Them Featuring Van Morrison and The Best of Van Morrison.[35] When it was reissued in 1991 as a single in the Great britain, it reached number 65 in the chart.[27] Van Morrison also accompanied John Lee Hooker during a 1992 performance, where Hooker sings and plays "Baby, Please Don't Go" on guitar while sitting on a dock, with harmonica backing past Morrison; it was released on the 2004 Come See About Me Hooker DVD.[36]

Air conditioning/DC version [edit]

Angus Young and Bon Scott at the Ulster Hall in August 1979

"Baby, Delight Don't Go" was a feature of AC/DC's alive shows since their beginning.[37] Although they have expressed their interest and inspiration in early on blues songs,[38] music writer Mick Wall identifies Them'due south adaptation of the song as the likely source.[39] In November 1974, Angus Young, Malcolm Young, and Bon Scott recorded it for their 1975 Australian debut album, High Voltage.[38] Tony Currenti is sometimes identified as the drummer for the vocal, although he suggests that it had been already recorded by Peter Clack.[forty] Wall notes that producer George Immature played bass for virtually of the album,[39] although Rob Bailey claims that many of the album's tracks were recorded with him.[41]

High Voltage and a unmarried with "Baby, Please Don't Go" were released simultaneously in Australia in Feb 1975.[41] [h] AllMusic critic Eduardo Rivadavia called the song "positively explosive".[42] Albert Productions issued information technology as the single's B-side. Even so, the A-side "Dearest Song (Oh Jene)" was largely ignored and "Babe, Please Don't Go" began receiving airplay.[39] The single entered the chart at the end of March 1975[43] and peaked at number 10 in April.[44] Also on March 23, 1975, one month after drummer Phil Rudd and bassist Mark Evans joined AC/DC, the group performed the song for the starting time time (this operation would also exist repeated on April 6 and 27, which is why in that location is often conflicting dates for this performance) on the Australian music program Inaugural.[45] [46] For their appearance, "Angus wore his trade mark schoolboy compatible while Scott took the phase wearing a wig of blonde braids, a dress, make-upwards, and earrings", according to author Heather Miller.[45] Joe Bonomo describes Scott as "a demented Pippi Longstocking", and Perkins notes his "tattoos and a disturbingly short skirt."[38] Evans describes the reaction:

As soon every bit his vocals are almost to brainstorm he comes out from behind the drums dressed as a schoolgirl. And it was like a bomb went off in the joint; it was pandemonium, everybody broke out in laughter. [Scott] had a wonderful humour.[45]

Scott mugs for the camera and, during the guitar solo/vocal improvization department, he lights a cigarette equally he duels with Angus with a light-green mallet.[46] Rudd laughs throughout the operation.[46] Although "Baby, Please Don't Become" was a popular office of AC/DC's performances (often equally the closing number), the vocal was not released internationally until their 1984 compilation EP '74 Jailbreak.[38] The video from the Inaugural show is included on 2005'south Family Jewels DVD compilation.

Aerosmith version [edit]

Aerosmith recorded "Infant, Delight Don't Become" for their blues cover album, Honkin' on Bobo, which was released on March thirty, 2004.[47] The anthology was produced by Jack Douglas, who had worked on the group's earlier albums, and reflects a return to their hard rock roots.[47] Billboard mag describes the song equally "the kind of straight-ahead, hard-driving rails that ever typified the band's [1970s] records".[48] Edna Gundersen of USA Today called their version a "terrific revival."[49] It was the showtime unmarried to be released from the album and reached number seven on the Mainstream Rock Tracks chart.[50] A music video, directed by Mark Haefeli, was produced to promote the unmarried.[51] Later, the song has become a staple of the band's concert repertoire.[52] [53]

Recognition and legacy [edit]

"Baby, Please Don't Get" is recognized every bit a dejection standard, including by French blues historian Gérard Herzhaft [fr], who described it as "one of the most played, arranged, and rearranged pieces in blues history".[1] The Stone and Roll Hall of Fame included Big Joe Williams' rendition in list of "500 Songs That Shaped Rock and Roll".[54] In 1992, Williams' song was inducted into the Dejection Foundation Hall of Fame in the "Classics of Blues Recordings" category.[iii] Writing for the Foundation, Jim O'Neal noted that, in addition to various dejection recordings, "the song was revived in revved-upwardly mode past rock bands in the '60s such every bit Them, the Amboy Dukes, and Ten Years After".[3]

In 1967, the Amboy Dukes recorded the vocal for their self-titled debut album. An album review mentions Them'south version, but adds that the Amboy Dukes' "Ted Nugent and the boys totally twist information technology to their point-of-view, even tossing a complete Jimi Hendrix [guitar line from "Third Stone from the Sun"] nick into the mix."[55] Released as a single, it reached number 106 on Billboard 'due south extended "Bubbling Nether the Hot 100" nautical chart.[56] In 1969, Ten Years After included some lyrics from "Baby, Delight Don't Go" during their operation of "I'thousand Going Dwelling" at the Woodstock festival in Bethel, New York.[57] Alvin Lee'due south x-minute guitar conditioning was a highlight of the result's 1970 documentary movie,[58] which "would cement their reputation for decades to come".[59]

Notes [edit]

Footnotes

  1. ^ An earlier "I'm Alabama Bound", with its own recording history, was published by Robert Hoffman in 1909.
  2. ^ The sheet music includes a 1944 copyright date, indicating a subsequently version of the song[seven] (Williams' 1935 recording is in the central of B).
  3. ^ Music historian Larry Birbaum suggested that the Orioles' 1951 version inspired James Chocolate-brown's outset hit "Delight, Please, Please" (1956).[five]
  4. ^ Muddy Waters' original Chess unmarried lists the songwriters every bit "Strutt, Alexander", although reissues credit "McKinley Morganfield" (his legal name). The song is registered as "Turn the Lamps [sic] Downward Low" with Joseph Lee Williams equally the songwriter. ISWC T-070.278.618-2.
  5. ^ John Lee Hooker was listed as "Texas Slim" on the single "Don't Go Babe" (King 4334).
  6. ^ Janovitz claims that Henderson's bass line "was later on lifted by Golden Earring for 'Radar Love'".[18]
  7. ^ Beginning about 1:22 in Them'due south recording, bassy-sounding riffs appear.[25]
  8. ^ The Albert Productions AC/DC unmarried misidentified the songwriter equally Big Nib Broonzy.[41]

Citations

  1. ^ a b c d e f g h Herzhaft 1992, p. 437.
  2. ^ a b c d Garon 2004, p. 39.
  3. ^ a b c d east f g h O'Neal, Jim (1992). "1992 Hall of Fame Inductees: "Baby Please Don't Go" – Big Joe Williams (Bluebird 1935)". The Blues Foundation . Retrieved April 26, 2015.
  4. ^ Dahl 1984, p. 110.
  5. ^ a b Birnbaum 2012, p. 302.
  6. ^ a b Hal Leonard 1995, pp. 17–19.
  7. ^ Hal Leonard 1995, p. 17.
  8. ^ Gioia 2008, p. 130.
  9. ^ Herzhaft 1992, p. 381.
  10. ^ Demetre 1994, p. 23.
  11. ^ Demetre 1994, p. 29.
  12. ^ Whitburn 1988, pp. 444–445.
  13. ^ Escott 2002, p. 54.
  14. ^ a b Garon 2004, p. 40.
  15. ^ Greenwald, Matthew. "Mose Allison: Babe Please Don't Go, Composed by Big Joe Williams". AllMusic . Retrieved September 28, 2019.
  16. ^ Palmer 1989, p. 28.
  17. ^ Gordon 2002, p. 266.
  18. ^ a b c Janovitz, Bill. "Big Joe Williams: 'Baby Please Don't Get' – Review". AllMusic . Retrieved July two, 2018.
  19. ^ a b Murray 2002, pp. 212, 302.
  20. ^ a b Thompson 2008, p. 303.
  21. ^ Strong 2002, eBook.
  22. ^ Instance 2007, p. 35.
  23. ^ a b Rogan 2006, pp. 101, 111.
  24. ^ Marcus 2010, eBook.
  25. ^ Them (1964). Baby, Please Don't Get (Vocal recording). London: Decca Records. Event occurs at 1:22. F.12018.
  26. ^ Clayson 2006, p. 61.
  27. ^ a b "Them – Singles". Official Charts . Retrieved April 26, 2015.
  28. ^ Billboard 1965a, p. 39.
  29. ^ Billboard 1965b, p. 24.
  30. ^ Billboard 1965c, p. 26.
  31. ^ Crush 1965a, p. 4.
  32. ^ Beat 1965b, p. four.
  33. ^ Crush 1965c, p. 3.
  34. ^ CashBox 1965, p. 18.
  35. ^ "Them: 'Baby Please Don't Go' – Appears On". AllMusic . Retrieved September 28, 2019.
  36. ^ Viglione, Joe. "John Lee Hooker: Come and Run across About Me – Review". AllMusic . Retrieved September 28, 2019.
  37. ^ Walker 2011, p. 135.
  38. ^ a b c d Perkins 2011, eBook.
  39. ^ a b c Wall 2013, eBook.
  40. ^ Fink 2014, p. 83.
  41. ^ a b c Walker 2011, p. 139.
  42. ^ Rivadavia, Eduardo. "AC/DC: High Voltage (Australia) – Review". AllMusic . Retrieved April 26, 2015.
  43. ^ Walker 2011, p. 145.
  44. ^ Walker 2011, p. 148.
  45. ^ a b c Miller 2009, eBook.
  46. ^ a b c Bonomo 2010, eBook.
  47. ^ a b Erlewine, Stephen Thomas. "Aerosmith: Honkin' on Bobo – Review". AllMusic . Retrieved April 26, 2015.
  48. ^ Billboard 2004, pp. 13, 15.
  49. ^ Gundersen, Edna (March 29, 2004). "Clapton, Aerosmith dabble in the blues". The states Today. Gannett Visitor. Retrieved July i, 2015.
  50. ^ "Aerosmith: Chart History – Mainstream Stone Songs". Billboard.com . Retrieved September 28, 2019.
  51. ^ "Aerosmith: 'Baby Please Don't Go' Video Posted Online". Blabbermouth.internet. May 20, 2004. Retrieved July one, 2015.
  52. ^ Hauk, Hunter (Baronial 6, 2010). "Concert review: Aerosmith at Superpages.com Centre". The Dallas Morning News. A.H. Belo. Retrieved July ane, 2015.
  53. ^ Stingley, Mick (October xiv, 2010). "Aerosmith/The J. Geils Ring – Concert Review". The Hollywood Reporter. Prometheus Global Media. Retrieved July 1, 2015.
  54. ^ "500 Songs that Shaped Rock and Roll". Stone and Roll Hall of Fame. 1995. Archived from the original on April 22, 2007. Retrieved April 26, 2015.
  55. ^ Viglione, Joe. "The Amboy Dukes – Review". AllMusic . Retrieved January 30, 2022.
  56. ^ Whitburn 2008, p. 17.
  57. ^ Moore 2004, p. 81.
  58. ^ Jurek, Thom. "Woodstock – Review". AllMusic . Retrieved January 30, 2022.
  59. ^ Deming, Mark. "X Years Later – Biography". AllMusic . Retrieved January 30, 2022.

References

  • "KRLA Tunedex". KRLA Beat. April 14, 1965.
  • "KRLA Tunedex". KRLA Beat. April 21, 1965.
  • "KRLA Tunedex". KRLA Beat. April 28, 1965.
  • "Single Reviews – Chart Specials". Billboard. Vol. 77, no. 5. January 30, 1965a. ISSN 0006-2510.
  • "Bubbles Nether the Hot 100". Billboard. Vol. 77, no. 12. March xx, 1965b. ISSN 0006-2510.
  • "Bubbling Under the Hot 100". Billboard. Vol. 77, no. 17. April 24, 1965c. ISSN 0006-2510.
  • "'Honk' if You Love Onetime Aerosmith". Billboard. Vol. 116, no. 14. Apr 3, 2004. ISSN 0006-2510.
  • "CashBox Record Reviews" (PDF). Cash Box. Jan xxx, 1965. Retrieved Jan 12, 2022.
  • Birnbaum, Larry (2012). Earlier Elvis: The Prehistory of Stone 'north' Gyre. Lanham, Maryland: Scarecrow Press. ISBN978-0-8108-8629-two.
  • Bonomo, Joe (2010). Air-conditioning/DC's Highway To Hell. U.s.a.: Bloomsbury Publishing. ISBN978-1441141583.
  • Instance, George (2007). Jimmy Folio: Magus, Musician, Human – An Unauthorized Biography. Hal Leonard. ISBN978-1-4234-0407-1.
  • Clayson, Alan (2006). Led Zeppelin: The Origin of the Species. Chrome Dreams. ISBN1-84240-345-1.
  • Dahl, Linda (1984). Stormy Weather. Proscenium.
  • Demetre, Jacques (1994). The Prewar Blues Story 1926–1943 (CD compilation booklet). Diverse artists. Best of Blues. OCLC 874878605. Best of Blues 20.
  • Escott, Colin (2002). B.B. Rex: The Vintage Years (Box fix booklet). B.B. Male monarch. Uk: Ace Records. OCLC 52004950. Ace ABOXCD 8.
  • Fink, Jesse (2014). The Youngs: The Brothers Who Congenital Air-conditioning/DC. New York City: St. Martin's Printing. ISBN978-1466865204.
  • Garon, Paul (2004). "Babe Delight Don't Become/Don't You Leave Me Here". In Komara, Edward (ed.). Encyclopedia of the Blues. New York City: Routledge. ISBN978-1135958329.
  • Gioia, Ted (2008). Delta Blues (Norton Paperback 2009 ed.). New York City: W. W. Norton. ISBN978-0-393-33750-1.
  • Gordon, Robert (2002). Tin't Be Satisfied: The Life and Times of Muddied Waters. Boston, Massachusetts: Footling, Brownish. ISBN0-316-32849-9.
  • Hal Leonard (1995). "Babe Delight Don't Go". The Dejection. Milwaukee, Wisconsin: Hal Leonard. ISBN0-79355-259-ane.
  • Herzhaft, Gerard (1992). "Baby, Please Don't Go". Encyclopedia of the Dejection. Fayetteville, Arkansas: University of Arkansas Press. ISBN1-55728-252-8.
  • Marcus, Greil (2010). When That Rough God Goes Riding: Listening to Van Morrison. PublicAffairs. ISBN978-1-58648-821-5.
  • Miller, Heather (2009). AC/DC: Hard Rock Ring. Enslow. ISBN978-0766030312.
  • Moore, Allan F. (2004). "The Contradictory Aesthetics of Woodstock". In Bennett, Andy (ed.). Remembering Woodstock. New York Urban center: Routledge. ISBN978-0-7546-0714-4.
  • Murray, Charles Shaar (2002). Boogie Man: The Adventures of John Lee Hooker in the American Twentieth Century. Macmillan. ISBN978-0-312-27006-3.
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  • Rogan, Johnny (2006). Van Morrison: No Surrender. Random House. ISBN978-0-09-943183-1.
  • Potent, Martin C. (2002). The Peachy Rock Discography. Canongate. ISBN978-1-84195-312-0.
  • Thompson, Gordon (2008). Please Please Me: Sixties British Pop, Inside Out. Oxford University Printing. ISBN978-0-19-533318-iii.
  • Walker, Clinton (2011). Highway to Hell: The Life and Expiry of AC/DC Legend Bon Scott. Poetry Chorus Press. ISBN978-1891241864.
  • Wall, Mick (2013). AC/DC: Hell Own't a Bad Place to Be. Macmillan. ISBN978-1250038753.
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Source: https://en.wikipedia.org/wiki/Baby,_Please_Don%27t_Go

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